Eliseo Art Silva

Inang Kayumanggi ng California (Brown Madonna of California), 25" x 30," Acrylic on Canvas, 2022

34" x 27", Oil and Acrylic on Canvas, 2021 The painting portrays how Filipino American migrant workers are habitually ignored, stereotyped negatively with poverty or treated with indifference; yet, in their own country they are heralded, honored and recognized as "Bagong Bayani" or "New Heroes". This is in stark contrast to the underground "METRO Station scene", wherein the PH Sun's rays shine a light on the figures, creating a departure point for Philippine art and culture

Born on the 4th of July: Nanay Fedelina (Fedelina Lugasan), 18" x 24", Oil and Acrylic on Canvas, 2020 July

Fiesta Apocalypse, Acrylic on Canvas, 54" x 38", 2022

18" x 24", Acrylic and Oil on Canvas, 2019

Grupo De Gaga- Group of Foolish Women, 48" x 72", Acrylic on Canvas, 2022

Fiesta Apocalypse, Wood, 16" x 5" x 15", 2022

32 air-dry clay figures, 4.5" x 2.5" x 2.5", 2022 Thirty-two standees represent 32 years Silva resided in the USA where his Filipino identity was habitually identified with indentured servitude.

Wood, 9" x 9" x 18.5", 2022